The FX6 boasts superior auto focus capabilities, outperforming previous models by being three to four times faster. It uses phase and contrast detection for quick, precise focusing, especially on people's eyes. Despite the impressive auto focus, manual focus remains crucial. The camera offers focus assist features and multiple modes for customization. It also has face and eye detection modes, prioritizing and memorizing faces for consistent focus.

White balance is crucial in video production as it influences color accuracy. Unlike human eyes, cameras struggle to maintain color consistency under varying lighting conditions. White balance can be set automatically, through presets, or manually using a white card. Each method has its pros and cons. Additional settings like offset white balance, shockless white, and filter white memory offer more control and creative possibilities.

The FX6 is a unique device that functions as both a video and cinema camera. It features menu settings that split its capabilities into custom and cine EI modes, affecting various settings and functions. The camera offers standard and high dynamic range display options. It also allows for color grading and image fine-tuning through base look selection and matrix menus. Users can even import custom LUTs as base looks.

The FX6 allows for quick changes to camera settings through scene files. Up to 12 custom scene files can be stored onboard, and matching paint menus manually ensures consistency across multiple cameras. Creating a new scene file involves saving changes made to paint menus. Shutter speed remains unchanged when scene files are recalled. Memory banks 1-4 have preloaded scene files, while banks 5-16 are empty for custom files.

This lesson introduces Hybrid Log Gamma (HLG) as a method to enhance contrast and color range on TV screens. Doug explains HDR compatibility with consumer televisions and the benefits of HLG for content producers. Doug also compares shooting with HLG and S log three for optimal HDR quality and future-proofing. This lesson provides instructions for setting up HLG shooting mode and discusses the role of Gambit Display Assist (GDA) in improving LCD monitor visuals.

This lesson delves into the intricacies of using the cine EI mode and S-log3 on the FX6 camera. Doug highlights the need for post-production grading due to the maximum dynamic range captured by the cine EI shooting mode. He also discusses the use of S-log3 for internal recording, the application of Monitor LUTs, and the importance of exposure index. Tips on using zebras, waveform, and histogram for exposure guidance and setting the auto exposure level menu are also shared.

The FX6 is equipped with an SDI output for 10-bit 4:2:2 4K signal, embedded time code and audio. For raw recording, a specific recorder is needed. The HDMI output supports 4K but only two audio channels. Output formats depend on the camera's recording format and frequency. On-screen displays and operational data can be superimposed by enabling output display menus. Remote triggering of recording is possible with the SDI-HDMI record control menu. Test records and simultaneous internal recording are recommended.

This lesson explores the concept of timecode, an embedded signal that identifies each frame in a video. It's crucial for multi-camera shoots and long interviews. The timecode media tab allows users to control display, duration, and modes. User bits can be programmed to identify shoot date and camera ID. The lesson also explains jam syncing timecode, which involves designating a master and slave camera and maintaining synchronization.

The FX6 boasts impressive slow motion capabilities, with the ability to shoot up to 120 frames per second in 4K and 240 frames per second in HD. However, shooting HD slow motion at 240 frames per second may result in decreased picture quality. The camera's S&Q motion feature allows for shooting at various frame rates, producing high-quality clips ready for immediate playback. Different memory cards are needed for different resolutions and frame rates. The setup for S&Q motion is straightforward, with options to turn it on or off and select the frame rate. Using frame rates above 60 fps in 4K automatically crops the sensor, and the shutter speed must match or exceed the frame rate. For crisp slow motion, a shutter speed at least two times faster than the frame rate is recommended. The shutter angle mode provides smoother transitions and automatically adjusts the shutter speed.

Sony cameras offer a feature called interval recording or time-lapse shooting mode. The setup involves adjusting settings in the project tab, including interval time and frames per capture. The choice of settings depends on the subject and desired action. If a Sony LED video light is attached, a lighting setting is available. The duration of a time-lapse depends on the settings, and it's crucial to ensure it's long enough to be valuable. Time-lapse clips can be played back immediately, and a slow shutter speed can create a smooth, blurred motion effect.

Zoom lenses offer the convenience of changing the angle of view swiftly without the need to switch lenses. They come with various zooming methods such as manual zoom rings, servo zoom control, and variable speed zoom rocker switches. Customization options like reversing zoom ring direction, using remote controls, and programming speed settings are available. The Clear Image Zoom is a digital function that magnifies the image electronically, extending the focal length, albeit with a slight reduction in image quality.

The FX6, equipped to record 4 channels of audio, offers 5 potential sources of audio input. The camera's handle attachment is necessary for all audio inputs. Audio configuration is done via the camera's menus, including options for XLR inputs, built-in stereo microphone, and multi-interface shoe. Sony's UWPD wireless audio system is recommended. Audio levels can be adjusted manually or automatically, with a suggested peak between -20dB and -10dB. Post-production allows for 4 to 8 audio tracks, depending on the clip type.

The FX6 is a versatile camera, functioning as both a camcorder and a full-featured deck for memory card clip playback. It offers unique features like recording during playback, quick review button assignment, and robust thumbnail playback. Users can display clip properties, manage clip flags, and secure clips during playback. The camera also allows for clip filtering and caption customization. Users are encouraged to explore and experiment with these settings to fully master the equipment.

Sony's FX6 camera firmware version 2.0 introduces a host of new features and performance upgrades. These include faster FTP transfer speeds, enhanced audio channel metadata, improved HDMI output, and additional settings via status pages. The firmware also introduces a new HLG shooting mode, picture cache function, and touch tracking autofocus. This lesson also delves into camera focus modes, menu configuration, and the innovative breathing compensation feature and bokeh control mode.