What sonic elements belong to the film score, and what belongs to sound design? In the conventional movie-making process, it’s rather a question of dividing responsibilities. However, it can also be a creative choice. Nowadays, more and more films follow this approach. In this article, we take a look at outstanding movie examples, such as “Arrival”, “Dune”, and “Chernobyl”, take a deep dive into their rare score workflows, and explore the poetic topic of blurring the lines between music and sound design.
Read the full article at CineD - Sonic Synergy – Film Examples of Blurring the Lines Between Music and Sound Design
